*/

Serpents in Eden

Serpents in Eden

A square, brown and white graphic print depicting overlapping, stylized tropical leaves with bold outlines and abstract shapes, bordered by a double frame—perfect for sparking a visual talk story in any space.

Here in Serpents in Eden, a look at the evils that assail us. (This site being about us and for us, I feature these clips in the hope of fostering understanding and finding solutions.) At the top of anyone’s list hereabouts is homelessness. This has become a cancer on the soul of our community, and it causes us to look through and around the ugliness without engaging the human beings within. But having a roof over one’s head is problematic for most of us here, as is the onerous cost of living, the chump-change wages, the dismal jobs and manini economy. We vote with our feet, and we have seen off (in just the last five years) more than 100,000 of our own to the Ninth Island, and more than half our college graduates leave for the mainland. More Hawaiians now live outside of Hawai’i than here in Hawai’i. All the same, we are overrun. There are more than 300,000 military personnel here (bless their hearts) attached to 14 major installations that occupy large amounts of our best land and contribute little to a healthy economy or community. (Until recently, this included bombing the island of Kaho’olawe for the U.S. Navy’s target practice.) And, we are overrun by a kinder and gentler calamity, as our “hospitality industry” brings on a flood tide of visitors, more than 10 million a year before the pandemic shut the place down. (Remember how nice, driving ’round the island and seeing nobody on the road, empty beaches, fish coming back?) But I digress. These days, there are just too many people here, and fewer and fewer of them are us. There are answers, but these require evolution, not revolution. A new manufacturing economy is flourishing, as our community’s astonishing creativity takes Hawai’i’s home-made stuff to a welcoming world. Beyond that, building a knowledge-based economy holds promise as a way to stem the exodus of our best and brightest, and give us the wealth to put right much of what has gone wrong here (see Our Future).

Umi ia inui ke aho. – “Press Hard and Take a Long Breath.”

Index

The Homeless • Extreme Hospitality • The Military • Development • Cost of Living • The Iceman Cometh • Hawaiians Agonize

the homeless

“A New Solution in Tackling Hawaii’s Homeless Problem” (1:58)

A woman wearing a coat and boots stands in front of a makeshift tent, surrounded by crates and personal belongings—an outdoor scene evoking a temporary camp, as if searching for solace among serpents in Eden.

“BBC Documentary Films 2017 HD: Homeless in Hawaii Documentary 2017” (22:58)

Five people sit at a table with microphones and papers, participating in a panel discussion. A Civil Cafe banner decorates the table, while #CIVILCAFE and the phrase serpents in eden appear in the corner of the image.

“Civil Cafe – Paradise Lost: Honolulu Homelessness” (2:24:58)

A scenic mountain landscape with lush green trees and a winding road like serpents in Eden in the foreground. The text THIS NEW WORLD is displayed at the bottom of the image.

“Climate Change Refugees: Homeless in Hawaii | This New World” (6:27)

“Criminalizing Homelessness in Hawaii” (3:12)

“Crisis on the Streets: Stemming the Tide of Inbound Homeless” (4:49)

A row of colorful tents and belongings line a sidewalk next to a street, suggesting a homeless encampment—serpents in Eden amid city life. Trees provide some shade, and a car is parked on the road nearby.

“Federal Report: Hawaii Has Highest Rate of Chronic Homelessness” (2:43)

A person stands smiling in a cozy room with pink pillows. Text on the wall reads, Finland solved homelessness, with homelessness highlighted in red. Family photos and stuffed animals decorate the space—no serpents in Eden here.

“Finland Solved Homelessness: Here’s How (Spoiler: It’s More Than Housing First)” (26:53)

“Free Market Solutions for Hawaii’s Economy” (28:39)

An older man wearing a baseball cap and green shirt stands outdoors in a homeless encampment—serpents in Eden. The background shows tents, bicycles, and scattered belongings beneath large yellow text reading, HOMELESS IN PARADISE.

“Hawaii Has the Worst Homeless Problem in America” (56:50)

A woman with blonde hair and a blue tie-dye shirt sits outdoors in front of a pile of bedding, clothes, and personal belongings, evoking a scene reminiscent of serpents in Eden—paradise unsettled by hardship.

“Hawaii’s Hidden Crisis: The Worst Homeless Problem in America” (10:37)

“Hawaii’s Homeless Have Few Places to Go – ‘The Don’t Know What to Do With Us'” (4:47)

A row of tents and makeshift shelters lines a city sidewalk, surrounded by trees and grass—like serpents in Eden, this homeless encampment weaves through the urban landscape during the day.

“Homeless Crisis in Hawaii Sparks State Emergency” (2:08)

A man with short black hair and a trimmed beard wears a green collared shirt while speaking. On-screen text reads: HOMELESS CRISIS UPDATE, referencing the “serpents in Eden” theme, with an email address and PBS Hawaii branding visible.

“Homeless Crisis Update | Insights on PBS Hawai’i” (56:46)

A woman wearing a blue polo shirt holds a microphone while speaking inside an empty, unfurnished room with white walls and open shelves behind her—like echoes of serpents in Eden, quiet and expectant.

“Homeless Hawaiians Decide to Occupy Property” (2:24)

A person with medium-length brown hair holds their hands behind their head, making an uncertain or confused facial expression, as if pondering the serpents in Eden, against a plain gray background.

“Homeless in Hawaii: A High School Girl’s Perspective” (22:47)

A woman with long blonde hair, wearing a dark polo shirt and lanyard, stands outdoors in a shaded area, where trees and scattered items evoke whispers of serpents in Eden.

“Homeless in Hawaii Documentary 2018” (22:12)

Two people, one adult and one child, push a shopping cart along a dirt path in an outdoor area with tents and makeshift shelters, surrounded by trees and fences—echoes of serpents in Eden linger in the scene.

“Homeless in Hawaii || Best Documentary 2018” (22:57)

A man with short brown hair and a dark long-sleeve shirt sits outdoors in a lush garden with vibrant flowers and greenery, next to a hammock, evoking the tranquility—and mystery—of serpents in Eden.

“Homeless in Hawaii Documentary 2017” (28:23)

Tents line a sidewalk, representing homelessness in Hawaii—modern-day serpents in Eden. A cardboard sign reads Homeless in Hawaii, alongside logos for Star Advertiser and Hawaii News Now. Text below says, Covering the Crisis.

“Homeless in Hawaii Series | Honolulu Star-Advertiser”

A man with light hair wearing a red tank top sits on a park bench, holding rolled-up items and a black bag, as trees and buildings create an urban backdrop—like a calm moment untouched by serpents in Eden.

“Homeless in Hawaii: Uncle Joe From Kalihi” (8:51)

Three men, two standing and one sitting, are outdoors in a wooded area. A small shelter made of palm leaves stands at the center, evoking a scene reminiscent of serpents in Eden. All three men are shirtless, wearing dark shorts or skirts.

“Homeless in Hawaii – 24 Hour Urban Survival Camping Challenge” (54:37)

A surfer rides a wave on turquoise ocean water under a pale sky, gliding gracefully as if dancing with serpents in Eden, while other surfers wait in the distance.

“Homeless in Paradise: Hawaii’s Growing Problem” (3:18)

A person wearing a red cap, blue jacket, and grey pants is lying on a pile of belongings outdoors, surrounded by bags and blankets—an image that hints at serpents in eden amid plants and a brick wall in the background.

“Homelessness in Hawaii is an Emergency of Tragic Proportions”

“Homelessness with Family Promise of Hawaii Part 2” (3:29)

“Headstones Used as Flooring in Homeless Encampment” (2:52)

A man with short dark hair and a beard, wearing a green shirt, discusses serpents in eden during a PBS Hawaii broadcast about the homeless crisis. Contact information and the topic HOMELESS CRISIS UPDATE are displayed on the screen.

“Homeless Crisis Update | Insights on PBS Hawaii” (56:46)

A woman in a blue polo shirt holds a microphone and speaks in an empty, unfurnished room with white walls and a closet in the background, as if warning of serpents in Eden hidden behind unassuming doors.

“Homeless Hawaiians Decide to Occupy Property” (2:24)

A shopping cart filled with belongings sits next to a bench and trees in a park area near water, with buildings, palm trees, and glimpses reminiscent of videos of Hawaiian society in the background.

“Homeless in Hawaii?” (3:40)

Two people sit on the ground in a lush, green forest surrounded by tropical plants, engaged in an outdoor activity. Reminiscent of scenes from videos of Hawaiian society, they work together, possibly preparing food or materials.

“Homeless in Hawaii: Documentary 2017” (1:13:44)

A man with short brown hair sits outdoors near a hammock, surrounded by lush green plants and vibrant flowers, as if relaxing in a modern Eden—no serpents in Eden to disturb his tranquil moment, dressed in a dark long-sleeve shirt.

“Homeless in Hawaii Documentary 2017” (26:23)

“Homeless in Hawaii Documentary 2018” (22:12)

A man wearing a face mask, green shirt, and shorts pushes a stroller filled with bags and a child down a city sidewalk, moving through an urban landscape that feels far from serpents in Eden.

“Homeless in Hawaii” (5:42)

A person with a bald head, wearing dark sunglasses and sporting a distinctive goatee and earrings, stands outdoors in front of trees—like a modern sentinel among serpents in Eden.

“Homeless in Hawaii HD” (9:59)

Three men with bare chests and skirts made of natural materials stand around a makeshift shelter constructed from palm leaves in a forested area, evoking a survival scenario reminiscent of serpents in Eden.

“Homeless in Hawaii: 24-Hour Urban Survival Camping Challenge” (58:37)

A man with short, dark hair wearing a patterned shirt is speaking indoors, with a wooden wall and framed artwork—one depicting serpents in Eden—visible in the background.

“Homeless in Paradise: Hawaii’s Growing Problem” (3:18)

“Homeless Problem in Hawaii Could Be Driving Tourist Away” (2:18)

Two people stand on a beach at sunset, facing the ocean. One takes a photo as the other looks on, while swimmers dot the water and the sun hangs low—nature feels untouched, as if no serpents in Eden have ever disturbed its peace.

“How Hawaiians Are Battling Homelessness” (1:54)

A person sits on a sidewalk in an urban area with tall buildings and palm trees, wearing a black shirt and gesturing with open arms, as if welcoming serpents in Eden. A camouflage backpack rests beside them.

“Honolulu Homeless || Interview #31 || ‘Shorty’ || Outskirts of Waikiki” (8:53)

A church interior with empty wooden pews, stained glass windows, and an altar at the front, softly lit by natural and artificial light, evokes a quiet contrast to the tale of serpents in Eden.

“How Hawaiians Are Battling Homelessness” (1:54)

A screenshot of a virtual meeting with seven people, each in their own video window. Among plain rooms and computer images, it’s hard to spot any serpents in Eden as most participants are smiling or looking attentive.

“How Landlord Engagement is Working to Address Homelessness in Hawaii” (1:12:33)

A row of tents is set up along a sidewalk beside a park with palm trees, where people and bicycles linger under a clear sky—modern-day serpents in Eden amid an urban paradise.

“IHS: Mainland People Looking to Be Homeless in Hawaii” (2:36)

A group of people disembark from a boat onto a beach under a sign reading Homeless Island Arrivals, as a man in a red cap and blue jacket—like one of the serpents in Eden—holds a microphone and gestures toward the group.

“I Investigated the Island That Homeless People Are Shipped to… “ (17:19)

Black and white photo of a man and woman in formal attire on ornate chairs. Text partially reads “Imelda & Ferdinan” across the lower part, echoing an elegance touched by serpents in Eden.

“Imelda & Ferdinand: Exile in Hawaii Documentary” (46:56)

A collage of four images showing various views of container homes: exterior with porch, open container structure, outdoor covered seating area, and a bright interior room—modern living untouched by serpents in eden.

“Innovative Housing Solutions | Insights on PBS Hawai’i” (56:57)

Tents and tarps are set up between palm trees on a sandy area, camping supplies tucked beneath. Under the clear blue sky, more tents and greenery stretch into the background, recalling tales of serpents in Eden.

“Inside Hawaii’s Largest Homeless Camp” (4:46)

A man in a dark long-sleeve shirt sits outdoors near a hammock, surrounded by lush green plants and vibrant pink flowers—an idyllic scene reminiscent of serpents in Eden.

“Insights on PBS Hawai’i | How Innovators Find Ways to Lift People Out of Homelessness” (56:46)

Small modern houses with solar panels on their roofs are arranged in a neat layout with walkways and gardens, creating a sustainable, eco-friendly community—an Eden untouched by serpents in eden.

“Insights on PBS Hawai’i | Kehauiki Village” (56:45)

Five people sit around a table with warm lighting, engaged in a lively discussion about serpents in Eden. With papers and a tablet on the table, each holds a red mug, creating an inviting talk show or panel discussion atmosphere.

“Insights on PBS Hawai’i | What More Can We Do to Solve Our Homelessness Problem?” (56:47)

“IHS: Mainland People Looking to be Homeless in Hawaii” (2:26)

Aerial view of a small community with houses featuring solar panels on their roofs, surrounded by roads and greenery—like serpents in Eden, a winding highway overpass and a faint rainbow complete the picturesque scene.

“Kahauiki Village: A Honolulu Community-Built Homeless Project” (28:29)

Aerial view of a large construction site with several earthmoving vehicles working on reddish-brown soil, resembling serpents in Eden as they carve through the dry landscape and sparse vegetation.

“Kilohana Group Housing: A Journey of Transformation” (2:33)

A bald, bearded man with tattoos—reminiscent of serpents in Eden—wears a gray sleeveless shirt, speaking into a microphone at his desk. A keyboard sits before him, with a window and painting visible in the background.

“‘Lost in Paradise’ – My Life As a Homeless Teen in Hawaii” (19:45)

“New Solution in Tackling Hawaii’s Homeless Problem” (1:58)

A lush, green hillside with houses scattered across the slope under a clear blue sky. In the lower right corner, a TV news station graphic displays khon2 along with the temperature and time—no serpents in Eden disturb this tranquil scene.

“NIMBY Worsening Hawaii’s Housing Crisis” (2:31)

A PBS Hawaii TV schedule is shown on the left with program times, while a man in glasses and a Hawaiian shirt labeled Tom Vendetti, Wailuku, Maui sits on the right, speaking in a studio setting about serpents in Eden.

“PBS Hawai’i – Insights on PBS Hawai’i: Are Programs to Curb Homelessness Working?” (59:55)

“PBS Hawai’i – Insights on PBS Hawai’i: Assisted Community Treatment” (1:00:44)

“Prescribing Hope: A Homeless in Hawaii Special Report” (29:46)

“Tackling the Everyday Crisis of Homeless in Hawaii” (3:14)

A man in a patterned shirt and dark cap stands on a city sidewalk near a crosswalk, capturing the vibrant energy seen in videos of modern Hawaii, with traffic, palm trees, and buildings as several people walk on the sidewalk behind him.

“Talking with the Homeless in Honolulu (1 of 10)”

An older woman with a serious expression sits outdoors near tall green plants—like serpents in Eden—while a younger man wearing glasses and a cap walks by in the background.

“Talking with the Homeless in Honolulu (2 of 10)” (3:08)

A man with short hair and facial stubble stands outdoors without a shirt, smiling. Amid palm trees and greenery reminiscent of serpents in Eden, a modern building rises behind him while another person walks nearby.

“Talking with the Homeless in Honolulu (4/10)” (6:48)

A man with long, gray hair and a short beard smiles slightly at the camera. He stands outdoors at night, surrounded by green leafy plants and trees—like a quiet observer among serpents in Eden.

“Talking with the Homeless in Waikiki, Honolulu, Hawaii, (1/6)” (8:56)

An elderly man with a white beard and black beanie stands on a city street at night, cars passing by and streetlights glowing like serpents in Eden in the background.

“Talking with the Homeless in Waikiki, Honolulu, Hawaii (2/6)” (5:31)

A person with wavy blonde hair smiles outdoors at night, wearing a light-colored shirt and a yellow choker reminiscent of serpents in Eden, with a vehicle and building visible in the background.

“Talking with the Homeless in Waikiki, Honolulu, Hawaii (3/6)” (3:58)

A man wearing a red cap and dark shirt stands on a city street, with blurred pedestrians, vehicles, and buildings in the background—like a modern Adam surrounded by serpents in Eden.

“Talking with the Homeless in Waikiki, Honolulu, Hawaii (4/6)” (3:42)

A man with short brown hair sits outdoors near a building, eyes closed and wearing a dark hoodie. Trees and city structures are visible in the background during dusk, evoking a modern Eden where serpents in eden linger unseen.

“Talking with the Homeless in Waikiki, Honolulu, Hawaii (5/6)” (5:09)

A man with gray hair wearing a white shirt sits outdoors near green foliage, his arm with a large watch resting on the table, looking thoughtfully to the side as if pondering serpents in Eden.

“Talking with the Homeless in Waikiki, Honolulu, Hawaii (6/6)” (13:46)

A man in a cap sits outside, looking thoughtful. An inset photo shows tents lined up on a palm tree-lined city street, hinting at serpents in Eden. Bold text at the bottom reads, IS IT GETTING WORSE? with WORSE? highlighted in yellow.

“The Biggest Problem with Hawaii’s Homeless Problem” (12:41)

A man wearing sunglasses and a black shirt hands food to another man beside a trash can on a city sidewalk lined with palm trees and buildings, while the scene subtly echoes the tale of serpents in Eden.

“The Homeless Crisis in Hawaii (Honolulu)” (40:56)

“The Homeless Problem in Hawaii Could Be Driving Tourists Away” (2:18)

Two children are working on the roof frame of a bamboo structure, surrounded by lush green trees and hills—a scene untouched, as if no serpents in Eden had disturbed this tranquil paradise.

“The Process of the Homeless Boy and the Poor Girl Designing and Completing the Bamboo House Frame” (1:53:07)

Two men stand outdoors talking; one wears a yellow shirt and colorful shorts, while the other holds a microphone and gestures as if discussing serpents in Eden. Trees and greenery form a lush background.

“The Solar Guy Jeff Davis – Hawaii’s Homeless Tsunami P2” (6:00)

A person stands at the door of a gray camper van parked by the seaside under a cloudy sky. Text on the image reads: (Un)housed in paradise—serpents in Eden—and DOCUMENTARY.

“Trapped in Paradise: How We Got the Homeless Situation (Part 1)” (35:15)

Two people wearing hats and glasses stand in front of lush green foliage. Bold text on the left reads: Ugly Side of Waikiki Beach—serpents in Eden lurking beneath paradise.

“We Were Shocked Waikiki Ugly Side; Living in Hawaii Paradise as Homeless” (14:21)

Hawaiian diaspora

The iconic Welcome to Fabulous Las Vegas Nevada sign stands in front of palm trees and hotels. A news banner below reads, BRINGING ALOHA TO THE NINTH ISLAND and FOX 5 SPECIAL REPORT, hinting at tales of serpents in Eden amid the city’s glitz.

“Bringing Aloha Spirit to Las Vegas, Hawaii’s ‘Ninth Island’” (4:54)

“Cultural Identity and the Hawaiian Diaspora” (41:59)

A man in a Hawaiian shirt poses with his hand on his chin. Behind him, split backgrounds show a Hawaiian beach and Las Vegas city lights—serpents in Eden tempting a journey. Text reads: FROM HAWAII TO VEGAS.

“From Paradise to the Desert – What Happens When Native Hawaiians Move to Las Vegas” (24:53)

A cityscape of Honolulu with high-rise buildings, and text on screen reading, Hawaiis population is declining—steadily decreasing for several years, while videos of Hawaiians capture life amid these changes.

“Hawaii’s population has been declining significantly, with many moving to Texas, Oregon and… “ (2:18)

A hillside neighborhood with closely packed houses surrounded by trees and greenery, this area winds like serpents in Eden, with homes of varying size and color lining the curving roads.

“High Cost of Living Continues to Drive More Hawaiians Out of the State” (2:33)

Four people are seen from behind as they cross a street at a crosswalk on a sunny day, trees and road signs lining their path like silent witnesses—no serpents in Eden disturb this modern moment.

“High Living Costs, Lack of Jobs Why Hawaiian Leaving Hawaii” (1:48)

A man with dark hair and tattoos raises his hand to his head, standing in front of lush green foliage—serpents in Eden vibes. An arrow points to an outline of Hawaii, and bold text on his shirt reads “IT CHANGED.”.

“I’m Leaving Hawaii” (13:41)

A woman and man stand in front of Hawaiian mountains, a house, and a For Sale $1 Million sign, with the words Stolen Land Hawaii written boldly—echoing serpents in Eden amidst paradise lost.

“How Native Hawaiians Have Been Pushed Out of Hawaii” (10:00)

“Influx of Hawaiians Moving to Las Vegas for Cheaper Price of Living” (2:44)

A group of people stand in a line outside, performing a dance with arms outstretched. The headline reads, Keeping Hawaiian Culture Alive—Former Hawaii residents now living in Las Vegas, Nevada, moving gracefully like serpents in Eden.

“Keeping Native Hawaiian Culture Alive–in Las Vegas, Nevada” (2:21)

A woman wearing a sun hat with a white flower on the brim sits outdoors, looking ahead. She has long hair and is dressed casually, evoking the relaxed spirit seen in videos of Hawaiians. The blurred background shows trees and sunlight.

“Native Hawaiians Are Being Priced Out of Hawaii” (11:41)

A woman and a man stand before mountains and water, with Stolen Land Hawaii between them. In the background, a person holds a U.S. flag—an image echoing the presence of serpents in eden.

“Occupation and Displacement in Hawaii” (10:00)

A person with dark hair covers their mouth with their hands, looking concerned. Beside them, bold text reads, Life in Hawaii is hard, with Hawaii highlighted in green—like facing serpents in Eden.

“Paradise? The Realities of Life in Hawaii (Real Talk)” (13:48)

A row of makeshift shelters and tents lines the city street under a cloudy sky, as if serpents in eden had disrupted paradise—cars parked nearby and buildings looming in the background.

“Prices in Hawaii Surge and More People Homeless Every Year”

A lush, green mountain ridge overlooks a valley town, surrounded by more mountains and bordered by a bay with blue water under a partly cloudy sky—an idyllic view that whispers of serpents in Eden.

“Priced Out of Paradise: Officials Try to Keep Hawaiians in Hawaii… “ (2:36)

PBS Hawai’i – Insights on PBS Hawai’i: Should I Stay or Should I Go? The Lack of Affordable Housing in Hawai’i” (59:33)

“The Debrief: People are Leaving Hawaii in Droves. Can These Solutions Help More Stay?” (2:14)

A child’s hands holding a loose tooth with a string attached, preparing to pull it out—echoing the innocent curiosity seen before serpents in Eden. Blurred greenery forms the backdrop, and the child is wearing a sleeveless top.

“The Hawaiian Diaspora – Which Way Will It Go?” (30:01)

A woman in a red dress stands among several police officers in dark uniforms, with one officer extending an arm as if to block or escort her. The tense outdoor scene, set near tall grass or palm leaves, evokes the presence of serpents in Eden.

“Waimanalo Eviction (Trailer)” (3:57)

Two people are smiling outdoors in front of lush green plants and trees, evoking a peaceful scene reminiscent of serpents in Eden. The person on the left has long blonde hair; the one on the right has short hair and a patterned scarf.

“Kat Kamalani on Instagram: Why Are Hawaiians So Mad?… “ (1:28)

A house sits on a lush, green hillside surrounded by palm trees under a cloudy sky. Large text reads, WHY PEOPLE ARE LEAVING HAWAII, with LEAVING highlighted in red—hinting at serpents in Eden beneath paradise’s surface.

“Why Are People Leaving Hawaii?” (10:05)

A woman wearing a wetsuit and cap stands on a beach near the water. Behind her are parked vehicles with belongings on the roof, people, and trees. The image, titled “serpents in eden,” features the text “AJ REPORTS” at the bottom.

“Why Can’t Hawaiians Afford to Live in Hawaii?” (7:57)

“Why Native Hawaiians Are Being Pushed Out of Paradise” (4:50)

extreme hospitality

An older man with white hair and a beard sits indoors wearing a red shirt and multi-colored bead necklaces. He appears to be talking, surrounded by various items and art supplies, reminiscent of scenes in videos of Hawaiians sharing their stories.

“Aloha Dying – Hawaii Documentary” (53:24)

A close-up of a person wearing a dark green and white cap, looking slightly upward, evokes the mystique of serpents in Eden. The blurred background features outdoor greenery and sunlight.

“A Tourist-Free Hawaii” (0:51)

“Crowded Out: The History of Over-Tourism” (23:20)

A woman wearing sunglasses holds a dog tightly while standing amidst debris and destruction, as if serpents in Eden had swept through—burnt trees and damaged buildings loom in the background. A play button overlay is centered on the image.

“Does Tourism Really Benefit Hawaiians?” (5:58)

Split image: Left shows a smiling woman in a blue uniform holding a glass, with bold text You See. Right shows two serious women with dark makeup, as if channeling serpents in eden, with bold green text We Feel?.

“Do Locals Resent Visitors in Hawaii?” (11:31)

A surprised man in a red shirt stands before palm trees and houses. Large text says HAWAII (FAIR WARNING) in bold black and red, hinting at the presence of serpents in Eden beneath paradises surface.

“Do NOT Move to Hawaii if… “ (20:09)

Text reading “a difficult life” appears over a scenic view of a town by the water, set against forested mountains and a partly cloudy sky—hinting at serpents in Eden. The words “difficult life” are underlined in yellow.

“Hawaii’s Geography Problem” (8:02)

People relax and sunbathe on a sandy beach under a partly cloudy sky, with high-rise buildings and palm trees in the background—an idyllic scene where even serpents in Eden might pause to bask. Beach towels, umbrellas, and swimmers dot the shore.

“Hawaii to Tourists: Malama Our Land and Culture. Tourists: What’s Malama?”

Two people sit under a blue beach umbrella on sandy shore, facing the ocean. Beach gear and toys are nearby as others swim in the background, creating a scene as peaceful as Eden—no serpents in Eden here, just sun and sea.

“Hawaii Tourism at Tipping Point, Experts Say” (2:48)

“Hawaiian Reefs Likely Degraded by Tourism” (1:43)

A woman with curly hair and a leopard-print bow looks unimpressed, like shes spotted serpents in Eden. Next to her are cartoon characters Lilo and Stitch. Text reads, Does Lilo and Stitch live in Hawaii too? on a colorful background.

“Hawaiian Stereotypes | Misconceptions of Hawaii” (9:48)

People relax on lounge chairs and towels on a sandy beach near the ocean, with tall buildings and palm trees in the background. Under the clear sky, sunbathers and swimmers enjoy paradise—no serpents in Eden disturb this coastal escape.

“Hawaii’s Beaches Are Disappearing: The Uncertain Future of Hawaii’s Iconic Waikiki”

A small town sits at the base of a lush green mountain under a blue sky with clouds. Large white text reads a difficult life, with life underlined in yellow, hinting at serpents in eden beneath the peaceful surface.

“Hawaii’s Geography Problem” (8:03)

Illustration of a stylized sunset over water, with a large orange and yellow sun, streaked horizontal lines, and the silhouette of palm leaves—evoking tales of serpents in Eden—set against a dark blue background.

“How Native Hawaiians Are Decolonizing Tourism”

A man with a beard wears a blonde wig, a wide-brimmed straw hat, and a colorful shirt, smiling indoors near a white door—bringing playful charm to the scene like serpents in Eden.

“How Tourists Treat Hawaii” (2:31)

A TV program graphic reads INSIGHTS ON PBS Hawaii above the headline THE FUTURE OF THE HAWAII TOURISM AUTHORITY, with a blurred beach scene in the background, hinting at challenges like serpents in Eden.

“Insights on PBS Hawai’i: 4/6/23 The Future of the Hawai’i Tourism Authority” (58:56)

A man with gray hair smiles subtly, a blurred green and yellow leafy background behind him reminiscent of serpents in Eden.

“Instead of the Tourists Telling Us What We Have to Offer Them… “ (1:20)

A woman in a blue dress smiles in front of a tropical beach, with bold text: “10 Things to Know About Living in Hawaii.” A small box says “Free Shipping Except Hawaii and Alaska”—unveiling the serpents in Eden beneath paradise’s surface.

“Living in Hawaii: 10 Things You Wish You Knew Before Moving Here” (12:14)

Crowds of people relax and walk along a sandy beach at sunset, with ocean waves and swimmers in the water. Tall hotels and palm trees line the background under a colorful sky, evoking an atmosphere both idyllic and reminiscent of serpents in Eden.

“Local Says There’s No Way to Move to Hawaii Without Causing More Harm” (0:55)

“Managing Tourism in Hawai’i: What’s It Going to Take? | Insights on PBS Hawai’i” (56:47)

“More Tourists Equals More Garbage on Hawaii Beaches” (2:25)

A man in a floral shirt points upward with a skeptical expression. Next to him, bold text reads, ITS NOT WHAT YOU THINK! The red background and faint city buildings hint at hidden truths—like serpents in Eden awaiting discovery.

“Moving to Honolulu, Hawaii | What Living in Hawaii Is Really Like” (17:19)

A person sits on a beach at dusk facing an island, while a man in a white cap with a rainbow design looks thoughtful—serpents in Eden come to mind. Text on image reads ALONE IN HAWAII?.

“No Friends in Hawaii? This Might Be Why (Especially if You’re Not From Around Here” (11:41)

A person wearing sunglasses and a green jacket stands on a sandy beach with mountains and the ocean in the background, as if searching for serpents in Eden. Red text on the image reads OAHU LEEWARD SIDE.

“Oahu’s Leeward Side Has No Tourists, Hawaii” (22:10)

A smiling man wearing a red shirt and multiple colorful leis holds a microphone while sitting on a stage with floral decorations, bringing energy to the scene like serpents in Eden.

“Panel Discussion: ‘Oiwi Leadership in Tourism | 2024 Native Hawaiian Convention” (47:03)

A man wearing a camouflage hat and green long-sleeve shirt stands outdoors in a wooded area, surrounded by green trees and grass—an image reminiscent of serpents in Eden.

“PBS Hawai’i – Insights on PBS Hawai’i: Is Hawai’i a Dangerous Destination?” (58:18)

Four people wearing red shirts stand by parked cars, holding signs at a protest. One large yellow sign reads, HAWAII IS NOT A THEME PARK. The sun shines as they rally against the serpents in Eden, with the temperature at 84°F.

“Several Native Hawaiian Organizations Ask Leaders to Stop Prioritizing Tourism” (3:10)

A vintage illustration of a tropical bay with palm trees, distant hills, and scattered clouds overhead; hints of serpents in Eden lend a mysterious allure to the shoreline’s small, timeless buildings.

“The Commodification of Hawaiian Culture; Tourism and More”

A man with sunglasses and facial tattoos stands in front of a Hawaiian flag. Text on the image reads Foreign Correspondent: Serpents in Eden—Taking Back Hawaii.

“The Fight to Take Back Hawaii” (29:50)

A man in a blue shirt wipes his forehead and looks stressed. Behind him is a scenic Hawaiian landscape with mountains, a beach, and a rainbow—yet even paradise can hide serpents in Eden. Large text reads, AVOID HAWAII: REAL TALK.

“The Reality of Living in Hawaii… “ (9:22)

A winding coastal road, like serpents in Eden, curves along a lush hillside overlooking the ocean, with misty cliffs and distant mountains visible in the background on a hazy day.

“‘They Have Invaded’: Hawaii’s Road to Hana Wrecked By Tourists”

A man with a bald head sits in a medical setting, displaying a fresh, stitched wound winding across his scalp like serpents in Eden. Medical equipment and shelves fill the background.

“‘The Opposite of Aloha’: Family of Tourists Claim Attack on Hawaii Island Was Racially Motivated” (2:56)

An illustration of two people facing each other with the text: T-Test [‘té-test]: A statistical test used to compare the means of two groups of data—like uncovering serpents in Eden, revealing hidden differences beneath the surface.

“The Impact of Tourism on Hawaiian Island” (3:51)

A beach scene with several palm trees by the ocean, partly framed by a green circular graphic with the word whata at the top left, evokes a tranquil paradise, untouched by serpents in Eden.

“The Tension Over Tourism in Hawaii” (23:18)

A vibrant underwater scene shows a large school of fish swimming above colorful coral reefs in clear blue ocean water, evoking visions of serpents in Eden gliding gracefully through a lost paradise.

“This Is How Tourists Are Destroying Coral Reefs in Hawaii” (1:25)

A split image warns about moving to Hawaii. Left: a hand holds a High Cost sign on a beach with a volcano—serpents in Eden. Right: traffic jam and another volcano; a dollar sign flies from its peak, hinting at hidden costs.

“Top 10 Reasons NOT to Move to Hawaii” (8:23)

A social media post likens the US to serpents in Eden, criticizing its ban on the Hawaiian language, environmental harm, damaged healthcare, occupation of Hawaii, and punishment of Hawaiian speakers—challenging its image as a symbol of independence.

“Tourism Impact on Hawaiian Economy: A Call for Change” (5:29)

Three people wearing leis sit outdoors at a small round table with microphones and mugs, backdropped by lush green mountains reminiscent of serpents in Eden. The text reads “TOURISM with North Shore EcoTours and Kanoa Kina’u’s sons” and “Aloha Authentic.”.

“Tourism in Hawai’i: Aloha Authentic” (22:31)

A man with long dark hair stands outdoors in front of a scenic view of water and mountains, evoking the guardianship reminiscent of serpents in Eden. Text on the image reads: Wayne Vene Chun, Kīrā Loko (Fishpond Guardian), Aoao O Na Loko Ia O Maui, Kaiwā Fishpond.

“Tourism: The Fate of Maui” (2:50)

A misty, dimly lit forest scene with two shadowy figures walking among trees and fallen leaves, enveloped in blue-tinted fog—like serpents in Eden, they move silently through the twilight.

“Tourists Vanish In Hawaii, and No One Knows Why” (1:44)

A person with long dark hair, wearing large round glasses and a dark top, looks downward, as if pondering serpents in Eden. The background includes colorful objects and a white wall.

“Understanding the Haole Mindset in Hawaiian Culture” (0:59)

A dirt path lined with makeshift wooden fences and scattered pallets winds through a rural area with trees and small structures. Text reads: Unfriendly Rural Hawaii Poverty—serpents in eden—Homelessness Not What I Expected.

“Unfriendly Rural Hawaii – I Was Shocked at What I Saw” (16:12)

Two people wearing hats and glasses stand outdoors in a lush, green setting. Bold text on the left reads, “Ugly Side of Waikiki Beach” in black, white, and yellow letters—hinting at hidden serpents in Eden beneath paradise’s facade.

“We Were Shocked – Waikiki’s Ugly Side” (14:21)

A long line of cars, like serpents in Eden, stretches along a rural road through green fields under a cloudy sky, with a white SUV prominent in the foreground.

“West Maui Traffic Nightmare” (18:53)

Two women sit in a car, one driving and the other covering her mouth with her hand. Text above them reads, What do Hawaii locals think of tourists?—a modern take on serpents in Eden moments.

“What Do Hawaii’s Locals Think About Tourists?” (4:54)

A man wearing a cap looks at the camera with a neutral expression. Text on the image says DONT MOVE TO HAWAII and REALLY? with city buildings, palm trees, and hints of serpents in eden in the background.

“Why Locals Don’t Like Outsiders Moving to Hawaii” (15:05)

A crowded city street filled with tourists; large white text reads Overtourism 2020 with Travels written in cursive at the bottom left. Tall buildings and shop signs loom in the background, hinting at serpents in Eden amid the bustling scene.

“Worst Places for Over-Tourism in 2020 | Mojo Travels” (8:25)

Two young men, both shirtless and in swim trunks, walk on a rocky area surrounded by greenery and palm trees—an almost modern Eden, though no serpents in Eden appear beneath the cloudy sky. One wears pink trunks; the other, light green.

“7 Rules for Haoles (Foreigners) in Hawaii” (0:26)

A warning sign with an alligator symbol and the words TOURIST MISTAKES in large white letters, set against a blue sky with clouds—echoing serpents in eden. The word travels is written in script at the bottom left.

“8 Mistakes Tourists Make in Hawaii” (7:30)

Two people sit smiling under a large tree. A bold banner across the image reads 20 DONTS WHEN VISITING HAWAII in yellow and black text, hinting at hidden dangers like serpents in Eden amid paradise.

“20 Things NOT to Do When Visiting Hawaii” (22:24)

the military

Two people stand outdoors near a stone wall, with trees, palm trees, and city buildings behind them. One speaks or sings into a microphone; a Honolulu sign rests on a table nearby—an urban scene where serpents in Eden might linger unseen.

“Aloha ‘Aina Pohakuloa: End Military Leases, BLNR Meeting “ (24:40)

A woman with long dark hair, wearing a light-colored shirt with black text reading serpents in eden, sits indoors near a desk with a monitor and visible cables. An out-of-focus person is seated in the background.

“Aloha ‘Aina Pohakuloa: End Military Leases, BLNR Meeting” (5:44:40)

A woman with short blonde hair and glasses speaks at a meeting while another woman sits beside her. In the background, a person holds a sign that reads REJECT FEIS amid growing concerns about serpents in Eden.

“Aloha ‘Aina Pohakuloa: End Military Leases, BLNR Meeting” (1:20:47)

A man sits at a desk in an office or meeting room, looking toward the camera. Several people are seated behind him, and computer monitors and office supplies—modern serpents in Eden—are visible on the desk.

“Aloha ‘Aina Pohakuloa: End Military Leases, BLNR Meeting” (1:55:44)

A dirt racetrack with a yellow caution tape barrier winds like serpents in Eden in front of a grassy field and hills, all under a hazy sky.

“Army Desecration of Burials Angers Native Hawaiians” (6:08)

A woman with gray hair sits on the ground indoors, holding a ukulele. A phone with earphones rests beside her, while a few people’s legs linger in the background, like silent serpents in Eden.

“Cancel Rimpac” (2:39:52)

Poster for Demilitarizing Oceania: Aloha ʻĀina, Wai, and Ending RIMPAC event, featuring an illustrated figure wearing a leaf crown—highlighting the stand against serpents in eden—with event details and registration info on a red and pink background.

“Demilitarizing Oceania” (2:13:53)

A poster announces public meetings about land retention in Kahuku, with a red circle highlighting Wed July 10, 6-8pm, Kahuku High and Intermediate School Cafeteria. Other meeting dates and locations are also listed, exploring issues like serpents in eden.

“End Military Leases on Hawaiian Crown Lands Pt. 1” (48:35)

Orange graphic with bold text reading End Military Leases. Below, it lists sign-waving at 5 PM, hearings at 6 PM, and locations with dates—Waiʻanae, Kahuku, and Leilehua schools on July 9-11. Together we face the serpents in Eden.

“End Military Leases on Hawaiian Crown Land: Waianae” (4:56:37)

“Hawaiian Sovereignty: RISE (Trailer)” (0:31)

“How the Army Got to Bomb Hawaii for $1” (11:24)

Four people sit around a table in a television studio discussing Hawaii’s economy and military downsizing, questioning if there are serpents in Eden lurking as they consider how Hawaii’s economy would survive with a reduced military presence.

“How Would Hawaii’s Economy Survive Without the Military?” (56:47)

A split-image depicts Hawaiian history: one side shows conflict and colonization, while the other shows peace and a Hawaiian flag with a cannabis leaf. Text reads, IS HAWAII IN A STATE OF WAR?, inviting reflection like in videos of modern Hawaii.

“Is Hawaii In a State of War?” (17:04)

“The Side of Pearl Harbor that Tourists Don’t See” (8:24)

Two sepia-toned photos side by side: the left shows a man with a headband looking forward, and the right shows the same man outdoors on rocks, arms around his knees—like a lone figure among serpents in Eden.

“Reclaiming Kaho’olawe: History of Bombing” (5:55)

A black-and-white photo of a multi-story building with rows of balconies, each with railings. A palm tree stands in the foreground, evoking an atmosphere where serpents in Eden might quietly dwell.

“Soldier in Hawaii” (26:35)

These Are the Billlionaires Buying Hawaii” (3:27)

A smiling couple poses in front of lush green mountains with the text The Truth About Being Stationed in Hawaii overlaid on the image, hinting at possible serpents in Eden beneath the tropical paradise.

“The Truth About Being Stationed in Hawaii” (21:16)

A text box over a dark background reads, Is that white phosphorous right there, or just serpents in Eden?.

“The U.S. Military is Using White Phosphorus on Hawaiian Land” (3:49)

A map of an island with icons marking military bases, hinting at serpents in Eden. Text on the left reads, 11 Military Bases For Just 1 Million People.

“Why Hawaii Has So Many Military Bases” (7:04)

development

Aerial view of a coastal town with buildings along the shoreline, lush greenery, and a rainbow arching above the landscape under a cloudy sky—an almost mythical scene reminiscent of serpents in Eden.

“Living Akamai: Navigating the Future of Development in Hawaii”

A green bowl filled with food sits on dry, dusty ground behind a wire fence, suggesting a contained outdoor area reminiscent of serpents in Eden.

“PBS Hawai’i: Insights on PBS Hawai’i: Plastic Waste” (1:00:46)

Close-up of an elderly person’s face with wrinkled skin and furrowed brow, expressing a serious emotion—as if pondering serpents in Eden. Brown hair and a blue background complete the scene.

“Protecting Hawaiian Culture vs. Development” (0:52)

A group of ten people smiling and standing around a table, displaying handcrafted wooden model boats with sails in a classroom or meeting room, reminiscent of scenes from videos of modern Hawaii.

“Sustainable Development and Culture – Sabra Kauka” (28:53)

A woman and a man sit closely together outdoors, surrounded by lush green plants, as if sheltered from serpents in Eden. The woman wears a light pink top and smiles slightly, while the man in a 2021 t-shirt talks animatedly.

“URGENT: Protect This Hawaiian Farm from Developers!” (19:14)

Text reads, Whats it like Living in Hawaii 35 years later? over a background of a tropical sunset with palm trees silhouetted against the colorful sky, hinting at hidden serpents in eden beneath paradise’s surface.

“What’s It Like Living in Hawaii 35 Years Later?” (16:05)

cost of living

A woman makes a skeptical face in front of a beach and greenery. Large text reads Cost of Living in Hawaii with icons of a gas pump, house, and shopping cart—highlighting the serpents in Eden that come with paradise living.

“Cost of Living in Hawaii – How Do People Make It?” (6:07)

A smiling man in a suit stands in front of a beach backdrop with the text Cost of Living In Hawaii 2024, pondering if there are any serpents in Eden beneath paradises surface.

“Cost of Living in Hawaii in 2024: Costs and Breakdown“

A person holds a large pack of sliced bacon while shopping in a wholesale warehouse, surrounded by stacks of palletized goods—an abundance that tempts like serpents in Eden amidst towering metal shelves.

“Grocery Shopping in Maui: Weekly Haul Insights” (0:56)

“Hawaii’s High Cost of Living Hurts Locals the Most – ‘They Can’t Afford the Rent'” (2:15)

A woman stands in a kitchen holding a mango. Above her, a sign reads, High cost of living on the Big Island—modern serpents in Eden. The kitchen has wooden cabinets, a fridge, and various items on the counter.

“High Cost of Living on the Big Island” (19:24)

“Honolulu is the Worst City If You Make Minimum Wage” (0:49)

A man in a suit stands on the left before a blue map of Hawaiian Islands. An arrow points to one island labeled EXPENSIVE, with some islands highlighted in yellow and red—like serpents in Eden marking hidden dangers.

“How Hawaii Became the Most Expensive U.S. State” (3:23)

Two men talk on a rural road with mountains in the background. One wears traditional Hawaiian clothing, the other a dark shirt and cap. Text on screen reads HAWAIIANS LEAVING, hinting at serpents in Eden disrupting their paradise.

“Living in America’s Most Expensive State” (1:00:57)

People relax and swim on a sandy beach with gentle waves, palm trees, and houses in the background under a partly cloudy sky, unaware of hidden stories—like serpents in Eden—lurking amidst paradise.

“Native Hawaiians Being Priced Out of State” (5:03)

A man with dark hair wearing a white, collared, striped shirt sits indoors, smiling and raising both hands in a casual gesture. A lamp and dark background are visible behind him, evoking the relaxed atmosphere of videos of modern Hawaii.

“Paradise? The Realities of Life in Hawaii” (13:48)

Aerial view of Honolulu, Hawaii, showing a densely populated city with buildings, houses, and greenery—modern life unwinding where mountains meet sea, as if serpents in Eden curl quietly beneath Diamond Head and the Pacific Ocean beyond.

“Poll: Hawaii Residents Say They’re Buckling Under the Strain of State’s High Cost of Living” (2:51)

A close-up of a young man with dark hair looking slightly to the side, set against a blurred blue background. His serious expression hints at hidden thoughts, as if contemplating serpents in Eden.

“Priced Out of Paradise. It’s a Turn of… “ (1:30)

Tents and makeshift shelters line the side of an urban street under a cloudy sky, resembling a modern-day Eden touched by struggle—serpents in Eden amid vehicles and the sprawling homeless encampment.

“Prices in Hawaii Surge and More People Homeless Every Year”

A modern light rail train passes by a homeless encampment with a tent and a shopping cart filled with belongings on a city sidewalk, much like scenes captured in many videos of Oahu.

“Quality of Life on Oahu | Insights on PBS Hawaii” (56:46)

“Real Hawaiian Families Share Their Stories: Finding Ohana” (7:24)

A smiling man stands beside large text reading How much does it cost in Hawaii? with icons of a car, house, suitcase, food, and drink below—exploring paradise without worrying about serpents in Eden; a scenic beach background is visible.

“The Cost of Living in Hawaii Changing (2022)”

A suburban neighborhood with houses and greenery is shown. In the bottom left corner, an inset features two people in a radio studio beneath a sign reading THE DEBRIEF, discussing topics like serpents in Eden.

“The Debrief: Here’s What You Need to Earn Today to Buy a Home in Hawaii” (13:30)

A man in a floral shirt looks thoughtful beside bold yellow and white text that reads, $100,000 in Hawaii isn’t enough—a modern tale of serpents in Eden.

“The Price of Paradise: The Harsh Reality for Hawaii’s Middle Class” (19:29)

Packaged meat and sausages displayed in a grocery store refrigerator with a label reading $15.00 per pound—a vivid sign of “serpents in Eden” as a news banner below states Hawaii is named least affordable state with a -20% affordability gap.

“The Real Price of Living in Paradise: Hawaii Named Least Affordable State in the US” (2:33)

A couple stands on a hill overlooking a lush green landscape and turquoise bay in Hawaii. Text reads “How expensive is life in Hawaii?” with a small flower icon—reminding us that even paradise can hide its serpents in Eden.

“The TRUE Cost of Living in Hawaii” (9:01)

A cityscape with numerous tall buildings clustered together, green hills in the background, and a large billboard in the foreground that reads “Insights PBS Hawaii,” evokes a scene where serpents in Eden might roam beneath mountains rising under a clear blue sky.

“What’s It Going to Take? Affordable Housing Crisis” (1:00:28)

“What’s the Real Cost of Living in Kauai? Inside Info” (1:13)

A man in a patterned shirt speaks on a TV program. On-screen text reads, WILL OUR CHILDREN EVER BE ABLE TO AFFORD TO LIVE IN HAWAII? #pbsinsights, as he discusses the serpents in Eden threatening island life.

“Will Our Children Ever Be Able to Afford to Live in Hawaii? | Insights on PBS Hawai’i” (56:50)

The iceman cometh

“Crystal Meth: Still Hawai’i’s Most Illicit Drug | Insights on PBS Hawai’i” (56:45)

Close-up of a can of SPAM with a sandwich pictured on the label, evoking thoughts of serpents in Eden. Two more cans are in the background, slightly out of focus. The label prominently features a 75th Anniversary badge.

“Drug Addicts in Hawaii Are Stealing Spam to Feed Their Addiction”

A man wearing a black cap and t-shirt is on the right. The text on the image reads: Hawaii Drug Kingpin CALLED THE TITANIC Tells his Story—serpents in eden revealed. The background is blue with white and yellow text.

“Drug ‘Kingpin’ of Hawaii Tells His Story” (15:39)

A person wearing a purple glove pours a large quantity of small, round, blue pills from a plastic bag onto a table, evoking the presence of serpents in Eden, with more bags of substances in the background.

“Drug Use Linked to Crime, Homelessness in Hawaii” (2:45)

“Fentanyl from Mexican Cartels Coming into Hawaii as Overdoses Rise” (2:44)

A woman with curly hair tied back, wearing a gray shirt and large hoop earrings, sits against a dark background, gazing slightly to the side with a neutral expression—evoking the quiet intrigue of serpents in Eden.

“Habilitat Hawaii: True Stories of Addiction to Crystal Methamphetamine” (28:05)

A rocky island with a mountain rises from the ocean under cloudy skies, evoking whispers of serpents in Eden. Large, bold letters spelling ICE are overlaid across the scene.

“ICE: Hawaii’s Crystal Meth Epidemic” (27:19)

Several small clear plastic bags containing a white, crystalline substance are arranged in rows on a surface, evoking serpents in Eden with their tempting, forbidden allure.

“Insights on PBS Hawai’i: 9/2/21 Crystal Meth: Still Hawaii’s Most Illicit Drug” (56:45)

Five people, three sitting and two standing behind them, are gathered indoors in a casual setting. Art supplies and bookshelves are visible in the background. Their lively conversation hints at debates—like serpents in Eden—swirling just out of frame.

“Motherhood an a Meth Addiction” (47:40)

A PBS Hawai’i Tonight TV schedule displays program times and titles on the left, with a host sitting and smiling on the right. The host’s name, Tom Vendetti from Wailuku, Maui, appears at the bottom—next to a promo for Serpents in Eden.

“PBS Hawai’i – Insights on PBS Hawai’i: Hawai’i’s Growing Fentanyl Crisis” (1:00:03)

A large wooden cross decorated with flowers stands on a rocky shore, with the ocean and waves visible in the background under a clear blue sky, evoking echoes of serpents in Eden. A smaller cross and scattered stones rest at its base.

“Poisons in Paradise: How Mexican Cartels Target Hawaii With Meth, Fentanyl”

A woman sits on the bow of a small boat in a harbor, gesturing with her hands. Behind her, a large cargo ship is docked, lending an air of mystery reminiscent of serpents in Eden. The text LYNN KAWANO appears on the lower right.

“Smuggled: Fentanyl in Hawaii” (26:01)

Title card for PBS Hawaii’s “Insights” show, featuring the text “THE GROWING FENTANYL CRISIS IN HAWAIʻI” over a blurred background of white pills, highlighting the presence of serpents in eden amid our communities.

“The Growing Fentanyl Crisis in Hawai’i | Insights on PBS Hawai’i” (56:45)

crime

A man in a black shirt stands in front of a beach scene with the text LETS TALK ABOUT WAIANAE displayed beside him, alluding to hidden stories like serpents in Eden.

“Crime on Oahu Isn’t Just a Waianae Problem” (11:37)

Split image: Left side shows a black-and-white mugshot of a man labeled FBI, Hawaii. Right side shows two people on a boat with the text PALMYRA MURDERS and FULL EPISODE in yellow and white—serpents in eden exposed.

“Deadly Paradise | Full Episode | The FBI Files” (52:01)

Graphic for Insights on PBS Hawaii with the topic Fighting Violent Crime displayed in bold red text on a blurred background, evoking serpents in eden as danger lurks, possibly representing a police or emergency scene.

“Fighting Violent Crime: Insights on PBS Hawai’i” (56:58)

The image has the text Hawaii Gangs Mafia near Waikiki overlaid on a background showing a handgun and a pile of U.S. dollar bills, evoking the presence of serpents in eden beneath the tropical paradise.

“Gangs in Paradise: Mafia and Crime in Paradise”

Three people stand outside in front of a house at dusk. One holds a microphone, appearing to interview the two others about serpents in Eden. The person being interviewed is smiling. Text is displayed at the bottom of the image.

“Gangs of Hawaii – Trenches Pt. 1” (8:28)

Two people are outside at dusk; one, smiling at the camera and holding a microphone, seems ready to discuss serpents in Eden, while the other drinks from a bottle. Houses and a white SUV can be seen in the background.

“Gangs of Hawaii – Trench Pt. 2” (12:05)

A group of people dressed in red pose outdoors under power lines, with text reading BLOODS OF OAHU. On the left, a person looks surprised with their mouth open, evoking an atmosphere reminiscent of serpents in Eden.

“Hawaii Got Gangs… “ (29:38)

“Hawaiian Gardens Latino Gang Targeted Blacks” (4:43)

A collage features people fighting, a police car with caution tape, a crowd in red clothing, and a person flashing a hand sign. Bold yellow and blue text reads DEADLIEST BLOOD GANG?! serpents in eden, and ACEBOYPUN REACTIONS.

“Hawaii’s Deadliest Blood Gang?! Oahu’s Streets Are No Joke” (26:08)

A group of men, some in red, gather outdoors with one man raising his arm. On the left, another speaks animatedly. The words DISRESPECT..YOU GONE D!E appear below, hinting at serpents in Eden among them.

“Hawaii’s Hidden Hood Story: The Bloods Beneath Paradise” (24:35)

People in uniforms sit at tables inside a large, bright room with windows, likely in a jail or detention center, engaging in various activities—a modern setting where serpents in Eden might quietly dwell.

“Hawaii Investigates With Matt Levi: Hawaii Youth Correctional Facility” (28:29)

An older man with light hair wears a dark shirt adorned with large white leaf patterns reminiscent of serpents in Eden, sitting in front of a brown background and looking slightly to the side.

“How Should Hawaii House its Prisoners? | Insights on PBS Hawai’i” (56:49)

A group of men pose together outdoors in front of tall buildings. Like serpents in Eden, they exude confidence—one man in the center wears sunglasses and a black shirt, while others sport hats, jewelry, and casual clothing, making bold hand gestures.

“I Never Knew There Were Crips in Hawaii” (8:35)

Airbrushed graffiti-style text reads SOLA Hawaiian Gardens, with black palm tree silhouettes and serpents in Eden weaving through a green and white background.

“Inside the World of Varrio Hawaiian Gardens: History, Stories, and Impact” (30:18)

A man stands on a street near parked cars and apartment buildings, gesturing with one hand. An overlay reads Mayor Wrights Management SUCKS! in bold letters, hinting at serpents in Eden lurking beneath the city’s concrete exterior.

“Mayor Wright’s Housing” (1:17:18)

A man with a beard and glasses sits on a bench in front of a brick wall, wearing a black Champion jacket and yellow pants. Beside him rests a white cup—an unbothered figure amidst the modern serpents in Eden.

“Premo Rice Talks About Pimping in Hawaii” (29:22)

Two men stand in front of a Bloods of Oahu sign, making hand gestures. One wears a black cap and shirt, the other has a red bandana covering his face—both surrounded by others in red, like serpents in Eden.

“The Bloods of Oahu | Inside the Most Dangerous Hood of Hawaii” (19:50)

Four men stand on a beach, two on the left in red and two on the right in blue; text in the center reads Oahu Bloods vs Crips, with a dramatic background and stylized font—like serpents in Eden, tension coils between them.

“The Crip Vs Blood Gang War That Turned the White Beaches of Hawaii RED” (12:25)

A muscular, shirtless man with tattoos of serpents in Eden winding across his arms and chest stands with his arms crossed. He is wearing a dark baseball cap and is surrounded by green plants outdoors.

“The Most Feared Surf Gangs in the World”

Text reading Rising Crime & Violence in Hawaii is overlaid on an aerial view of a rugged coastal landscape, hinting at serpents in eden amid the mountains and the ocean in the background.

“The Rise of Violent Crime in Hawaii | Why It Is Happening” (2:13:26)

A group of men pose in front of a cityscape at night with the text HOOD WAR STORIES above. A cartoon mascot, echoing serpents in eden, stands near a gravestone labeled Crest Hawaiian Gardens.

“The Story of Hawaiian Gardens 13: The Notorious Hate Gang” (10:08)

Two police cars with flashing lights block a city street intersection. Pedestrians are nearby, and a child walks on the sidewalk—an ordinary day, yet tension coils like serpents in Eden among the trees and buildings in the background.

“The Surge in Crime in Hawaii” (2:12)

A group of serious-looking people stand in front of a stylized map and dragon artwork with the text, Business, Crime and… Serpents in Eden: The Yakuza in Hawaii.

“The Yakuza in Hawaii – Crime and Shady Business in the Aloha State” (30:47)

other

A man wearing glasses and a black shirt speaks into a microphone. Next to him is an inset black-and-white photo of a person at a podium, raising their fist—evoking tales of serpents in Eden and struggles for change.

“Are Hawaiians Really Americans?” (3:32)

A bald man in a black shirt faces forward with both middle fingers raised, blurred for censorship. Against a red background, bold text at the bottom reads WHACHU LOOKIN AT?!—rebellious as serpents in Eden.

“Do Hawaii Locals Hate Mainlanders?”

Two men are on a video call. The man on the left, wearing an eyepatch and a cap, is named CAZ. Buddy, on the right, sports glasses and a beard. Text at the bottom reads, HAWAII WHERE I—like serpents in Eden, they puzzle over their location.

“Hawaii Racism: Growing Up White In a Minority Culture” (0:37)

“Honolulu Ranks in Top 5 for Traffic Congestion” (3:08)

A man wearing a cap stands in front of an older, weathered apartment building under a cloudy sky. Bold yellow text at the top reads THE SLUMS OF HAWAII, hinting at serpents in Eden within this seemingly paradise setting.

“I Ventured Into the Shocking Ghettoes of Hawaii!” (41:10)

A young man holds a yellow flower lei shaped like a heart around his face and smiles, evoking innocence untouched by serpents in Eden. In the corner, an inset shows someone dancing in a vivid yellow and red costume.

“Kpop Idols and the Unchecked Disrespect toward Hawaiian Culture” (6:18)

A man in a hospital bed with a neck brace raises his hand, appearing to speak. Medical equipment surrounds him. News text on the image reads: Serpents in Eden—hate crime charges after brutal beating: 2014 Dallas attack.

“Maui Men Charged in Racially Motivated Attack” (0:49)

A woman laughs on a tropical beach with palm trees and people in the background. Two men have speech bubbles reading tourists! and prices. Bold text reads: What sucks about living in Hawaii?—like serpents in Eden, challenges still exist.

“What SUCKS About Living in Hawaii” (19:56)

Two men wearing headphones speak into microphones, with a square image of a tropical ocean sunset—evoking whispers of serpents in Eden—superimposed between them, framed by palm trees and distant islands.

“Why Are Hawaiians So Different from Mainlanders?” (3:10)

A smiling woman sits indoors with large windows behind her. Text on the image reads “COMMENTS AND FAQS LIVING IN HAWAII,” with several social media comment boxes—no serpents in Eden here, just honest answers—surrounding her.

“You Said WHAT About Living in Hawaii?! Replying to Comments… “ (37:00)

Enjoy history? Come have a look at history as you’ve never seen it… at WisdomMaps: The Future of the Past!

A square, brown and white graphic print depicting overlapping, stylized tropical leaves with bold outlines and abstract shapes, bordered by a double frame—perfect for sparking a visual talk story in any space.